Well not really, because my hands are on my phone. But yes. I don’t have my loom with me while waiting at a class. So I thought I’d blog instead.
What, another stall setup? You’ll ask. Not exactly. It was an audition for an upcoming event. This would be the biggest bestest event ever if it happened and I’d be having about 3″ of space for my stuff. But I’m not a hundred per cent sure yet, so watch this space.
However! That yellow thing you see is my last but one scarf. Woven on my Ashford Knitters Loom, with some loopy boucle yarn.
A customer wanted a textured stole like the one below but in a brighter colour. So I ordered this in three colours.
I had to think a little to work with the loopy yarn. Finally I had it. Having only a 7.5 dpi heddle and a 10 dpi, I used the loopy warp in every other slot of the 7.5, and the coordinating thin polyester thread alternating. When it came to threading the heddle, I used the thread in the heddle holes and the loopy yarn in the slots.
This resulted in an interesting texture, with much of the loopiness confined to the top surface and the thread on the bottom. Like so.
To the left is one side (top as I wove) and to the other is the bottom.
As you can see, the fringe is a bit of a challenge, both because of the two different warp textures, as well as because the loopy part of the boucle is not very stably attached to the core yarn, so it unravels and becomes unloopy. I finally just knotted the strands together in groups.
I’m happy to report that a friend bought this one almost as soon as it was off the loom.
The other miraculous part of this story is that I have the exact shades of the sewing thread to match the three colours of the boucle. This also happened with the actual shawl I wove for the person I bought the boucle for originally.
In a long chain of events, she saw the substitute yarn I bought for another order and asked me to use that instead, so I went ahead and ordered it, but underestimated how much I would need. And only discovered it when I began to warp with it.
Scrambling for ideas, I ended up using my scraps of a different yarn and came up with this.
This gave me a very rustic, thick yet loosely woven shawl and it thrills me no end that my customer (a different one!) loved it! Weaving was a challenge since the warp was a little dense and the unplied, singles nature of the Vals and the general fuzziness of the Artist (a wool blend) made making a clean shed difficult.
Sometimes serendipity is wonderful.
Coming back to the friend who I’d bought the Artist for, I discovered that Ganga Hobby India Multicolour had a shade (?) that coordinated perfectly.
So again, this worked out well. Another rustic stole with interesting texture. I followed the same basic technique with the warp, using the wool blend in the slots, since I found it tends to stick together and resist separating to make a shed, and the smooth and thinner yarn in the holes. This one ended up more grid-like, and the wool bloomed to fill in spaces.
So there you have it. If you are still reading and didn’t throw up your hands at the confusion of it all, thank you for your persistence!
And yes, I’m finishing this blog post many hours later, since I wasn’t able to get it done before the class ended.